Pietro Panza

TRAMAteria

TRAMAteria
AESTHETIC ECOLOGY  BIOVERSITY

 

From the beginning of the 19th century, aesthetics became a philosophy of art. For two centuries, artists taught us to see the beauty of nature, not by discovering it in it, but by creating it independently. And in the last few years of the last century that a growing ecological awareness has led to a new sense of aesthetics, so as to prefer the term landscape at environment. An aesthetic experience of its own kind, which orients and organizes the sensitive in function of an appreciation, making the recognition of a value. In the new century that has opened, landscape and environment together are a cultural test.

Pietro Panza

The works

 TRAMAteria

TRAMAteria 1

Mixed media on wood – 125 x 125 cm
2023

TRMAteria 3

Mixed media on wood – 125 x 50 cm 
2023

TRMAteria 5

Mixed media on wood – 55 x 99 cm 
2023

TRMAteria 5

Mixed media on wood – 55 x 99 cm 
2023

TRAMAteria 10

Mixed media on wood – 50 x 50 cm 
2023

TRAMAteria 2

Mixed media on wood – 100 x 100 cm 
2023

TRAMAteria 4

Mixed media on wood – 50 x 50 cm 
2023

TRAMAteria 6

Mixed media on wood – 125 x 125 cm 
2023

TRAMAteria 7

Mixed media on wood – 125 x 80 cm 
2023

“TREES” – TRAMAteria 8

Mixed media on wood – 80 x 80 cm 
2023

“OXIDIZED SKY” – TRAMAteria 9

Mixed media on wood – 50 x 50 cm 
2023

PROJECTS

Contemporarygreen

An artistic project intended to live and grow like the plant world that dwells in Natural Green paintings.
"What is authentically aesthetic is only the relationship".

Anthropocene

The plates in Anthropocene propose a description of the world where a reality presents itself and unfolds, a phenomenology of the universe where understanding what is manifested

From the Anthropocene to the Technocene

Art experiments with nature and technique in the ethical-anthropological relationship of an unknown land

TRAMAteria

Aesthetic Ecology Biodiversity

The narration in the time of the Anthropocene

Art emerges in an urgency of expression and communication