In the works “INHABITING THE EARTH, from the Anthropocene to the Technocene” Pietro Panza observes the failure of the modernization process thought as substitution of Nature with Technonature, a push so deep and pervasive to become (the technique itself) the new subject of history. The Artist thus experiences the relationship between Art, Nature and Technique in a “planetary unknown Earth”, with which we must also reconceptualize ourselves in an ethical-anthropological key.